Overview
The visual identity for the Festival comes from the notion of the frame in filmmaking, and was realized by combining photography of the film director’s hands and typography.
We also designed the poster for the Asian Vision section of the Festival, applying the concept of consecutive frames of film visualized by photographing a woman and a man in an elevator.
Client
Thessaloniki International Film Festival
Work
Poster
Year
2002
Industry
Arts & Culture
AWARDS
EBGE 2003